"Never Knows Best"
FLCL
2000-01 OVA, 6 episodes
Director-Kazuya Tsurumaki, Studios-Gainax/Production IG, Writers: Kazuya Tsurumaki and Yoji Enokido
also
2 volume manga (2000-01)-Art by Hajime Ueda; story by Gainax
So, Happy New Year readers
Well, I figure I shall start out the new year with a review of a
show that's over a decade old and done by one of my favorite anime
studios-that being FLCL or Fooly Cooly. Note, I will be talking about
FLCL overall, no need to worry about spoilers. That said, go see
this!
Now a brief summary: Naota is just your typcial young kid living
in a city, dealing with puberty and the implications of that, be it
his brother's ex-girlfriend, etc. He likes life to be easy and dull,
yet one day Haruko, a crazy pink haired girl, runs into him with her
Vespa motorcycle and from that moment onwards, Naota's life changes
forever, for better or worse (more the latter then former anyway).
Suffice to say that it is all I am saying about, because this OVA
has been quite overplayed for the past decade, first airing by
Toonami then subsequent reruns every now and then. Yet, this show is
still quite popular and well-known here in the States. Why's that?
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| Huh, something about this looks familiar..... |
Well, the greatest strength of FLCL is that it serves as a grand
pinnacle to anime comedy, at least for Studio Gainax. It is just so
quick-fire in pacing that the gags fly full and above the rest,
nearly blowing out of the water many of the other anime comedies I
have seen. Granted, a lot of the comedy presented is rather surreal
so at first glance one might not get it. I stated back on my Anime
Favorites page regarding FLCL as such, and I stand by that statement.
I feel that Panty and Stocking with Garterbelt, which I quite like,
is a mere pale shadow of this: the jokes there are more hit and miss,
dependent on your tolerance for toilet humor. FLCL is one crazy,
insane ride from start to finish and it never lets up at all. In
fact, FLCL can be more compared to Kill la Kill, the recent 2013-14
anime put out by Studio Trigger, which is made up of former Gainax
staffers. If you have seen Kill la Kill (and you should because it's
awesome), then that comparison becomes quite clear.
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| Why the malformed face......eh? |
Of course, this aspect is helped favourably by other factors.
First off, there is a great director-writer team in Kazuya Tsurumaki
and Yoji Enokido working on this. Now, prior to this, Tsurumaki had
overseen the last third of Kare Kano anime (which I have looked at
before) and Enokido had written a large part of the Utena anime and
co-wrote a few episodes of Evangelion. So, in essence, we get a team
getting their first project to run themselves. The result is nothing
short of fantastic. The direction is vibrant and full of life, firing
on all cylinders like a finely tuned machine. Of course, the
animation derps and dips in place, but that seems to be delibarate.
But when it is great, the animation can shine, due to this being a
Gainax/Production IG collab, which both by this point had done some
great work and would continue to do so for at least the next decade.
Enokido provides a script which at first might be a tad confusing,
but upon rewatching it clears some things up. FLCL is a series that
is designed to be rewatched, in order to be fully understood. There
is distinct lyrical, nah poetic aspect to the dialogue, though very
postmodern, with little throwaway bits that later come into play in
surprising ways. The middle of the OVA (episodes 3-4) might seem to
be filler material and the ending is so ambiguous, but it manages to
be entertaining enough so as to dissaude such accusations. Its no
surprise that this same team would go on to make Diebuster a few
years later, which is why those two Gainax shows are my favorite over
some of the other entries in their catalog, though a good part of the
Gainax catalogue holds a special place in my heart. Such a shame that
Gainax has been in the pits for the past few years-their current
stuff just doesn't match up to what they used to do, or rather they
no longer suit my tastes which could be it.
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| A Faux-meganneko, if you will xD |
The sound is equally terrific for FLCL: both the OST and language
tracks. The entire OST is done by The Pillows, an alternative rock
group who have been around for some time. In particular, the ending
song "Ride on Shooting Star" is just awesome (
FLCL ED). While serviceable in the Japanese, the English dub is
quite good, with some noteworthy performances from Kari Wahlgren,
Barbara Goodson, Stephanie Sheh, etc. Though, there exists a nagging
problem with the dub: it is too faithful to the original Japanese.
Not just in terms of the adapted script, but in how its performed
vocally. This has been quite an issue with West Coast/LA dubs, in
that they tend to hue more towards the original Japanese. I first
actually noticed this with the dub of Lucky Star, which has
predominance of 'chipmunk voices' in the dub in an effort to make the
dub more like the original Japanese. Madoka also suffers a bit from
this practice in the dub as well. It doesn't seem to me that anyone
really notice or let them know about that. Regardless, the FLCL dub
is still quite good.
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| Groovy ^_^ |
And now for the manga adaptation, as I said before, this is an
Anime vs. Manga article:
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| Typical start of your day.... |
Hajime Ueda did the artwork for the manga, having been a doujin
writer prior to getting tapped for this manga adaptation. Story is
credited to Gainax, though I'm willing to bet it was Ueda
collaborating with Tsurumaki and Enokido in terms of the writing.
Volume 1 is nearly beat for beat the events of the first 2
episodes of OVA: Fooly Cooly and Firestarter. Some of the details are
slightly altered, but the semblance of plot remains roughly the same.
If you are thinking that the manga segments in the OVA are like the
manga itself, then you are sadly mistaken. The art is very rough
around the edges, very cartoonish one might say. Of course, it does
fit the tone of the piece anyway, so any quibblings that can be made
about the artwork are just that. There are a lot of more references
made in the manga, such as one chapter starting off with a panel of
Tak-kun and the robot making a rendition of Edvard Munch's The
Scream.
Of course, the second volume is a different beast altogether.
Sure, it starts off with what happens in Episode 3 and then veered
off into totally unexplored territory. In many ways, this is where
the manga makes less sense than the OVA, if that is even possible.
The manga, in comparison to the anime OVA, ends on a more ambiguous
note, but then again that's the open ended nature of the conclusion.
That being said, the manga is a quick read (less then 300 pages
between the two volumes), so if you have seen the OVA, then I
definitely recommend checking out the manga as well. As for other
work by Hajime Ueda, well, we shall take a look at that laterz.
Of course, Yoji Enokido did write a pair of novels based FLCL
which has been released as well. I have yet to read those, but if
given the chance I most likely will.
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| Actual Audience reaction after this |
At the end of the day, FLCL is a fun and twisted bundle of
cartoony insanity. In many ways, it represents the pinnacle of Gainax
as an animation studio, in the prime of its heyday. It is very nice that its legacy extends into the present with shows like Gurren Lagann, Panty and Stocking with Garterbelt and Kill la Kill.
So, what's next on my platter? Well, its another project Yoji
Enokido worked some years later....involving racing and fast action
that would put the Fast and the Furious franchise to shame. 'Til next
time, dear readers.
