Anime Review No. 98 (Maria Holic)

Maria Holic (Winter 2009) and Maria Holic Alive (Spring 2011)

Studio-Shaft

Directors-Akiyuki Shinbou (with Yukihiro Miyamoto and Tomokazu Tokoro)

Writers: Masahiro Yokotani and Miku Ooshima

Well, here we are, something that I am sure most people would not expect me to cover. I was not entirely sure that I would get around to covering this show, but circumstances brought it back to my attention and so here it is. This is Maria Holic.

Maria Holic the anime is based off a manga series written by Minari Endo between 2006 and 2014. It is about Kanako Miyamae, a new transfer student to a private all-girls school. She is secretly a closeted lesbian hoping to find her first true love and a bit of a misandrist, well more in that respect due to her condition where she breaks out in hives when men touch her. She gains a new roommate in Mariya Shidou a nice and gentle ojou-sama but turns out to be a male sadist who is forced to crossdress due to the wishes of his dead grandmother who was also a former headmistress of the school. Thus Kanako is blackmailed into keeping Mariya’s secret. In the process she ends up in a series of unfortunate but comical misadventures at school.

What I like about Maria Holic is how twisted the whole thing is. The whole breadth of creative decisions for this story are made in the opposite way that they would normally trend. Be it Kanako who is basically a girl with a male pervert mindset, Mariya the sadist disguised as the nice and kind ojou-sama and her maid Matsurika who turns out to be a deadpan snarker. The rest of the supporting cast are like that and all fit a basic stereotype (tomboy, megane babe, genki girl, etc) and then taking them to a rather unexpected places.

This is quite fitting as Maria Holic is a rather black comedy at its core. The humor is prevalently dark and its funny mainly due to that. Granted there are some laugh out loud hard moments, but most of the time the comedy is met with a nice dry chuckle from yours truly..There is the semblance of a story/plot but Maria Holic relies a lot on gags and sketch comedy segments. What story is there is an interesting parody. This is very related to my previous review, OtoBoku. Whereas that was a gentle soothing parody, Maria Holic is a bitterly tinged parody and a satire of not only yuri but school slice of life and otokonoko sub-genres as well. Of course, at times it openly embraces the conventions it is joking about. The second season is more of the same, except it seems to double down on everything from the first season and it is even more strange and ridiculous.

Maria Holic S2 clip

The animation production certainly helps this out in spades. If you can’t tell from the first episode alone, this is a pure Studio Shaft/Shinbou directed show. All his trademarks are here and in spades, and it is oddly fitting for such a surreal and dark satire show. This includes the various off-point references, use of text in scene, head tilt, art shift (this show has 3 main art styles). The 2 non-consecutive seasons came out during what I consider the peak of Studio Shaft/Shinbou productions (same era as the Zetsubou Sensei, Hidamari and Arakawa series). There are the seeds of other Shaft productions lashed in the people involved in the production of this series: Yukihiro Miyamoto, future co-director for Madoka and ED for Season 1 done by the future production designer for Madoka and the OP was done by the guy who helmed the Bakemonogatari series. The main thing to take away is that it suits the story and characters, supplementing it as opposed to recent Studio Shaft productions where those same tricks are employed only the story and characters aren’t as engaging-cough cough Monogatari, Sasami-san, Meh-kaku cough cough, but moving on.
S1 OP S2 OP2
S1 ED             S2 ED

Now, onto the english dub, which is a treat especially for those of us waiting for it. The series had its 2 seasons released by Sentai Filmworks (S1 in 2010, S2 in 2012) but sub-only bare-bones releases. But then in late 2013, they announced that they were doing dub re-releases of some of the shows they had done sub-only treatment earlier. I was a bit concerned but then the dub cast came out and I did a sigh of relief. I bought both seasons with the dub in early 2014 and it was worth it. Thankfully Christopher Ayres helms the dub and as usual he doesn’t disappoint. He assembles a great cast with some of his regulars sure but he topped it out with 2 great if not perfect casting choices: Jessica Calvello and Monica Rial. I feel that Jessica Calvello’s career doing more dubs again has its origin point with this dub. She is in true comedic form asa Kanako and I have to say this is her funniest performance since Excel Saga and I can’t imagine anyone else in that role now. Of course she is complemented by Monica Rial who plays Mariya and its the surprise in the dub, always fantastic. The rest of the cast is very spot-on if littered with Ayres’ regulars (Carli Mosier, Brittney Karbowski, Meg McDonald, Shannon Emerick, etc). Another honorable mention has to go to George Manley who does the narration (old ADV fans might know him as the narrator for the ADV redub of Gatchaman a decade prior). The dub script, written by Clint Bickham (who plays a minor role in S2), is nicely done adding in some stuff to punch the already comedic material. Overall a great dub that is highly recommended by yours truly.

Overall, Maria Holic is an interesting high concept comedy show that excels in being fun and entertaining. Granted the flavor of comedy might not suit everyone’s taste but that’s ok. I like it quite a lot and its certainly up there on my list of funniest anime I have ever seen.

So that closes out March 2015 aka Guilty Pleasures Month 2.0. Will I do another series of review like this? Hmm maybe next year, but it will be under a different title for sure. April 2015 marks the release of my 99th and 100th reviews. I am keeping the subject of those 2 reviews a secret but in due time you will all find out. Review No. 99 due out on April 12th.

Til next time dear readers…..

Anime Review No. 97 (OtoBoku)

OtoBoku: The Maidens are Falling for Me! (2006 TV Series)

Studio-feel.

Director-Munenori Nawa

Writer: Katsumi Hasegawa, Masaharu Amiya, Masashi Suzuki and Tomoyoshi Nagai

Some guilty pleasures are so due to just trashy and full of fanservice. Agent Aika from last time is like that. Yet others are so due to being far out and weird/surreal they are and that you are surprised that anyone would like this, much less give it the time of day. The other 2 entries this month are like that. Let’s talk about OtoBoku.

It is an original story by Caramel Box, based on an eroge visual novel that came out in 2005. The anime adaptation came out about a year after that as OtoBoku came out at a time when visual novel adaptations were king (the Key VN adaptations). The story is a simple setup. Mizuho is a young man who gets roped into going to an all girls school by his grandfather’s last will. Lucky for him he is so androgynous that a simple makeover by confidant/childhood friend Mariya and bears a resemblance to his late mother. With only his teacher knows and headmaster knowing who he really is, he strives to do the best he can at the new situation he has gotten into. He meets various other girls at the school, be it the redhead tsundere Kaichou and her Vice Prez megane babe Kimie-san, the mysterious dark haired beauty Shion and 2 kouhai, the genki Yukari and the cutie Kana among others.

Yesh thats a boy (FFWL i guess xD)

Essentially OtoBoku is a rather gentle, soothing and laidback slice of life school story but with a gender bender twist. Yes this is a sub genre of anime called Otokonoko which is basically pretty pretty boys ending up in situations where they must dress up as girls for some reason or other. Yeah a very high concept idea I know. Of course Mizuho takes it in stride and use the opportunity to become a better person and improve the lives of the other students as best as he can. There are also elements of yuri anime as well here, like the senpai-kouhai pairing and emphasis on female on female relationships as per Strawberry Panic. At times certain elements of the show downright copy Strawberry Panic, not surprising considering this came out right after Strawberry Panic-Elder election is pretty much a ripoff of the Etolie plot line from Strawberry Panic except not as drawn out.

It-its not because I like you or anything gosh -blush-

In fact OtoBoku starts out a bit like Strawberry Panic in that it does little story arcs for the first half with Mizuho coming into his own given his weird situation and real light and fluff. Whether it’s dealing with the rivalry between Takako and Mariya, winning over the student body by becoming Elder or helping Ichiko, a ghost girl, come to terms with her untimely death. Then episode 6 brings in a more coherent storyline that extends to the end, giving the show more a dramatic and serious edge. Granted its more situational stories but there is more cohesion between the episodes. An interesting love triangle develops between Mizuho, Takako (Kaichou-san) and Mariya, though it is mostly due to misunderstanding and lack of proper communication. Yet, the Takako route is the prominent one in the anime series which reveals the the VN origin of this show but I find it works very well. Takako, next to Mizuho, is my favorite character of the show. That comes to mainly how well she is written, though she does start off as a tsundere and rigid authority figure but as the show goes on she softens up to and develop feelings for Mizuho. I feel that the series has a predictable yet satisfactory conclusion. There is an episode 13 that is just a silly chibifest rendition of Cinderella that is really hilarious and full of laughs.

We are soooo blitzed right now xD

Animation is mostly solid if a little unimpressive. Like Strawberry Panic, it has a look not too different from the source material it is based on and goes its intended job without derping or excelling at it. It does have an unique chibi design which I termed ‘fugly chibi’ which whenever it shifts from the more straightforward character design art to this I burst out laughing but given that this was intended for the more LOL moments that is to be expected. The music feels like leftovers from Ouran and the voice acting (in japanese, no dub) is rather solid if predictable in terms of casting and performance, except for one. Mizuho is voiced by renowned seiyuu Yui Horie who isn’t quite adept at sounding more like a boy then as a very girly girl at times. As I mentioned, this is was released by Media Blasters around the same time as Strawberry Panic when they just churn bare-bones releases without a dub. Its so bad in fact that the edition I have contain discs with no artwork on the discs themselves.

Now there is Futari no Elder, a 3 episode OVA made in 2012 with a different director and studio, based on a spinoff manga of the original story. It is a somewhat more somber and serious story granted and has a slightly similar initial incident to OtoBoku but feels enough like a natural sequel and separate story and not a mere copy/paste job of the original series. It is also a nice, short and self-contained story which proves to be a bit more emotionally resonant with me at least then the TV series. It also looks a bit better than the 2006 series, naturally. It gets a recommendation from yours truly though good luck finding it as this hasn’t gotten an official release and I doubt it will but hey a guy can dream.

OtoBoku ED aka Totally Pants xD

So yeah Otoboku is a guilty pleasure that fortunately has enough charm and amusement to it to be somewhat enjoyable, even given the weird and off-putting premise. Next time, won’t be such the case.

Til next time dear readers

Anime Review No. 94 (Love, Chuunibyo and Other Delusions)

“The Power of Imagination”

Love, Chunibyo and Other Delusions (2012 TV Series)

Director: Tatsuya Ishihara

Writer: Jukki Hanada

Studio: Kyoto Animation

So, here’s a show that I have waited about a year to talk about and almost didn’t. This is a show that I find to be something truly special. This is based on a recommendation of my esteemed colleague Ramo Zemog, who covered the series last year, and I must say thank you good sir. It is certainly a worthwhile recommendation. The show in question, if you couldn’t tell, is Love Chuunibyo and Other Delusions.

Love, Chuunibyo and Other Delusions, based on the light novels by Torako, is quite an interesting story. The core of the story revolves around the notion of Chuunibyo also known as 8th grader syndrome, a disease of the adolescent mind. Linked to delusions of grandeur, it involves individuals with very active imaginations to the point where the line between fantasy and reality are blurred. Center of focus is on Yuta Togashi, a young man who is a former chuunibyo ‘patient’ who is entering high school. He tries to get a new lease on his social life in high school but is haunted by his own embarrassing antics of his youthful past as the Dark Flame Master. One night he meets a mysterious girl with an eyepatch. Rikka Takanashi is a current chuunibyo patient who holds power via the Eye of the Wicked Lord Shingan. As it turns out, she lives in the apartment above his family’s with her older sister Toka. The show takes some wonderfully funny and dramatic turns throughout the 12 episode run as they find new friends and learn quite a lot from each other, as well engage in fantastical fights from another dimension.

What I love about this show is how well it handles characters. This features a wide range of characters, all more or less integral to the overall story. Be it the comical straight man Yuta, the kooky double act of Rikka and her middle school twin-tailed shorty minion Dekomori, Nibutani the popular girl or the adorable sleepyhead senpai Kumin Tsuyuri. Granted the focus is on the development of the relationship between Yuta and Rikka, but the show does explore the other character dynamics of the main group of characters in a nice, fun and refreshing way. And yet like most of the cast, we aren’t meant to feel sorry for them, but more as a point of relation. I do relate a lot of Yuta, as I did some quite silly things in my youth.  My favorite character in the show is Kumin Tsuyuri, the sleepyhead senpai. She is so kind and nice it is almost like she is a pure innocent hnng. My second favorite is Nibutani, the popular girl who has some secrets of her own and that’s mainly due to having known girls like that in high school.

Another aspect this show nails is the combination of serious drama and light-hearted school comedy. I love the variety of humor and slapstick present in the show, from the deadpan to LOL jokes its all here in abundance. The physical slapstick comedy is also quite enjoyable as some compilation videos on Youtube can attest to. Yuta’s various reaction faces are a treat to behold.

But then around the halfway point, as the story takes a quite serious and dramatic turn.I kind of did expect it, but it makes the show more interesting when it changes up the formula a bit. Not to spoil too much, let’s just say that the fun daydreaming is the result of some truly heartbreaking stuff. Seriously, the loose 2 parter near around the halfway mark is some of the most heartbreaking and emotional family drama I have seen in anime in a while. This leads to complications and sulking surely, but it ends with the sublime episode 12 which in my mind offers a very summation of the show while allowing for a continuation to occur. The core message I feel for this show is this: Live for yourself, and do the best you can in life now what difficulties and hardships befall and that is perfectly fine to dream a bit every now and then. There exists a strong theme of love and acceptance permeate the show which flowers in the finale, but how well you will have to check it out yourself. As an extra note, the OVA Special is probably the best Christmas special I have seen in an anime since Read or Die TV.

In terms animation production, this show rocks. Kyoto Animation (or KyoAni) is a top notch Japanese animation studio and it shows up in this entire production, so fluid and full of life and energy. KyoAni is one of the few recent  studios that hit a gold mine early (with Haruhi and Lucky Star among others) and thus has oodles and oodles of money to spend on their productions and it certainly shows.in Chuunibyo in yards and spades. The fantasy fight scenes are amazing and a sight to behold. The show is beautifully shot overall with nary a bad or sloppy shot/frame anywhere.

For music, both OP and ED songs are nice and worth a listen to. The soundtrack music by Nijine is also a highlight as well, complementing the action be it serious dramatic or the light-hearted funny, making for some nice well-done orchestral music.I’m a sucker for that and wish more anime would do with that more often.

Chuunibyo S1 OP       Chuunibyo S1 ED

Now onto the English Dub and I have to say it is  easily one of the best I’ve listened to in recent memory. No really, this dub alone shows just how far Sentai Filmworks has come since Clannad over 4 years ago in terms of dubbing. First off, great narration work by David Wald to bookend the show, nice touch there. This english boasts a near perfect cast. Leraldo Anzaldua as Yuta does a great job in the leading guy role nailing the youthful tone and energy of the character. Meg McDonald as Rikka, now this has been a bit interesting, She goes for a slightly different take on the character but it works, where she goes slightly deep for chuuni mode but then high-pitched cutesy voice when not. It is certainly a bit more theatrical and over dramatic than cutesy moe but it fits the character. I do like Meg McDonald and I feel that she’s a voice actress whose career is really taking off and I wish her the best of luck and very encouraging to see people of my generation (like her and Caitlynn French) getting into anime voice acting. Keep up the good work you two and others!

Maggie Flecknoe as Nibutani is really good and fitting for the character, always nice to hear her in dubs. Brittney Karbowski as Sanae Dekomori: Yeah, this was a role Brittney was destined to play and wasn’t surprised at all she landed this part as it is right up her alley (her performance reminding me of some of her earlier dub work like Himeko in Pani Poni or Ayu in Kanon 2006). The rest of cast is well done in terms of vocal performance, including Greg Ayres, Carli Mosier, Genevieve Simmons, Monica Rial, etc. Chuunibyo is the the latest dub done by recent ADR Director Emily Neves. She is a voice actress who has been working in Houston dubs since Clannad. She picked up some training in directing from Christopher Ayres while working on the Problem Children dub, which I have previously reviewed and then announced last summer that she got the full time ADR Director position-reason for that I will talk about in an upcoming review. Emily Neves has gone onto direct dubs for shows like Watamote, Rozen Maiden 2013, Dog and Scissors and Maid-Sama!. She clearly is an actor’s director and seems to go for getting the best performance out of the actors. Neves is able to handle the comedic aspects of the show as well as nail the emotional scenes, particularly in the latter half. The dub script done by Lainee Hooks, script writer for Watamote, Prisma Illya and Sunday without God dubs, is a nice and well-done mix of transliteral and adaptative without going too far in either direction as most dubs from Sentai have done in the past. In fact with 2014 and this year so far, Sentai is actually employing script writers (most of them employed voice actors like Josh Grelle, Clint Bickham, George Manley, Nancy Novotny) for their dubs instead of just having their directors handle that. A step in the right direction for them in my book.

The funny thing is that this show was destined for a standard release. When Sentai Filmworks planned to release Chuunibyo Season 1, they planned for a May 2014 release sub-only, no dub on both separate DVD and Blu Ray sets. However the KyoAni fanboys threw such a fit over the show not getting a dub (when other KyoAni shows Sentai picked up got dubs), that Sentai Filmworks changed their minds on that. Still releasing the sub-only DVD set for May, they announced plans to release the first season on a Limited Edition DVD/Blu Ray box set. Now I preordered the day it was available back in late August 2014, for the expected December release date. But then it got pushed forward to February 2015 due to some issues Sentai had with the licensor but I find that the wait was worth it. Here;s the video they put out about the box set, which can be brought fairly easily on RightStuf.  I can’t wait to get Season 2 (Heart Throb) when that comes out.

Chuunibyo Box set video

Chuunibyo is a great show overall, with a wonderful tale of youth trying to find their place in the world. It is a great production throughout and has a truly great English dub. I wholeheartedly recommend this show and encourage others to check it out.

Next time is Strawberry Panic. Til next time dear readers.

Anime Review No. 93 (Sakura Wars)

“With Fiery Passion!”

Sakura Wars TV (2000)

Director: Ryutaro Nakamura

Writers: Hiroyuki Kawasaki, Kunihiro Okajima, Yoshimi Narita, Katsuhiko Takayama, Kenichi Kanemiki, Gou Tamai, Sachiko Doi, Takao Yoshioka, Tatsuya Suzuki, Ken Abe, Kazuharu Sato, Takao Yoshimoto

Studio: Madhouse

Ok, so now we are at another important title, at least in my development of being an anime fan. Around 2009, I had come across this on the shelf at Best Buy when I was at college in Virginia. This was actually one of the early complete collection sets I gotten, the first one being Evangelion Platinum Edition back around 2006. That show being, as you expect, is Sakura Wars. Please note that I am only really talking about the TV series here. Yes I am aware of the games, manga, OVAs and the movie but my focus will rest with the 25 episode TV series that aired in 2000. So what’s it all about?

Well Sakura Wars (Sakura Taisen in Japanese) is the story of Sakura Shinguji, a country girl who ventures to Tokyo to become part of the Imperial Combat Troupe-Flower Division, a part of the defense force defending the capital from the denizens of evil. Although at first, she is a bit out of her depths when dealing with the other team members, both during and outside of combat and training. Of course, in the process she becomes part of the team both on the battlefield and on the stage. All set with a backdrop of alternative historical 1920s, steampunk-esque Tokyo where advanced mecha technology converges with dark mystical power.

The story of this series rests on the hands of three men: Ohji Hiroi who developed the original manga and acted as creator/producer for the franchise, Satoru Akahori.the head of the writing team (series composition) and finally Kosuke Fujishima who along with Hidenori Matsubara handled the character designs which you tell as the character designs closely resemble those from the contemporaneous Ah My Goddess the Movie. And they managed to succeed in forging a franchise that persists for several years. Sakura Wars is a brilliant meld of Super Sentai, Japanese historical fiction and nice character driven storytelling.

Of course, the series itself is drawn back from being truly great and that is for two BIG reasons. The first reason is that the story takes a very ‘long game’ approach to the storytelling. Which means for one thing it takes time for the show to get really great, like in halfway through I would say. But once it does it becomes easily one of the most interesting and entertaining anime ever. A colleague of mine once told me that he tried watching Sakura Wars but couldn’t get past episode 7 or 8 and I can understand in that leads to my other reason: The cast starts off very unlikeable or very shallowly developed, with a few that come across very stand-offish or straight up loathing. But thanks to the ‘long game approach they do get appropriate development as they are shaped by the events that occur and their interactions with each other and others is really compelling for the last few episodes.

The animation is well, alright and functional. Granted this was done by Madhouse before they were particularly well-known for the quality work that they are known for nowadays. It also falls in that same category of previously reviewed anime like Nadesico and Silent Mobius where the meld of traditional cel animation and digitally painted cel animation/CG. This does make the anime look a bit rough around the edges but by the final few episodes the production look a bit more even. What works great in the show’s favor is the soundtrack, with music done by the legendary Kohei Tanaka. The OP as I have mentioned before is one of the best OPs I have heard-an all time favorite.

Now for the english dub. Oh boy, what an uneven jumble. Of course, this dub is brought by the now long defunct Monster Island Studios, the secondary studio in Austin that ADV ran from 1998 to 2005. This is the same group that dubbed stuff like My Dear Marie (my favorite and only recommendable dub from this group), Eden’s Bowy, Zaion and heck Wedding Peach. What hurts the dub is several things. For one thing, it starts off not really good, sort of directionless with either too much hammy overacting or too little effort put into the vocal performances. Most of the supporting cast sound alright, but the main cast aren’t all that good starting off, no surprise that aside from a few (Larissa Walcott and Samantha Inoue-Harte), this was the one and only project that they were involved with. Worse still most of them employ rather obviously fake accents. Though to be fair, they do grow into the roles by the end, though its too little too late.

So overall Sakura Wars is an example of a rather interesting premise that gets fudged up by production troubles but its still impressive given the effort and work that went into it. I would add that the TV show serves as a good primer for the whole franchise. My opinion of it might have soured against it recently, but the series hold some significance to me regardless.

Speaking of significance, the next series I am reviewing is also another real important show for me…..

Til next time, dear readers

Anime Review No. 92 (Martian Successor Nadesico)

'You Get to Burning!'
Martian Successor Nadesico (1996-97)

Director: Tatsuo Sato

Writers: Hiroyuki Kawasaki, Miho Sakaki, Naruhisa Arakawa, Satoru Akahori, Shou Aikawa, Takeshi Shudo

Studio: Xebec

So, the new year is abound us. The holidays were nice on me, got to see my family along with grandparents for the first time in a few years and it was all nice and calm. Now then onto the first review of 2015, a look at a show that I have been meaning to get to, and that is…. the space opera Martian Successor Nadesico, an adaptation of a manga series by Kia Asamiya, who was also the creator behind Silent Mobius. .

Nadesico is the story of Akito Tenkawa, a young man who while yearning to be a cook, is instead roped into joining the new crew of a new starship the Nadesico. There he is joined by a crew of veritable oddballs, be it sexy helmswoman Minato, the stoic child genius Ruri, the fanboy pilot Gai and the young captain Yukari who might be someone from his blurry past. Together, they journey to Mars to discover some rather unsettling things from humanity’s past, possibly relating to invaders from Jupiters and their Chulips and also to have some hijinks of the slice-of-life and romantic varieties.

One of the things about I like about the show is how transitional, but then again that is part of the times. The Mid-90s sci-fi anime scene was dominated by one giant show: Evangelion which to this day still has an influence stretching to the present day. Nadesico, in many ways, was the next big game-changer for sci-fi anime. Though more for the space opera subgenre whereas Evangelion was a grand turning point in giant robot genres. Of course this show is mostly forgotten, but in many ways I find that Nadesico works a lot better then Evangelion.

Now why’s that? Well, for one thing Nadesico has a better and more likeable cast of characters. Granted, some of them are based on archetypes of the genre (young male pilot, the captain, the helm crew, the child prodigy, etc) but they have enough quirks and eccentricities that ultimately make them charming. And each of the them gets their episodes to focus on them individually and how they worked together as an ensemble. While Akito is a main character of sorts, pretty much all the other major characters get their own character arcs that are for the most part very satisfying. I see Akito as an improved version of Shinji from Eva, in more ways then one. He at least has some sort of spine.

For another thing, the story is much more interesting and yet takes risks to explore new areas in its home genre. It takes place in a future much like Star Trek, where humanity has combined their efforts to explore the stars. Only not so optimistic, with the world controlled by the all-powerful military and corporations that seek nothing more to fuel the engine of war even at the expense of life and peace. At yet our intrepid crew, when a big story twist comes in halfway through the series,  seek out the truth and hope against hope that someday peace and reconciliation. Like Evangelion, though they do some psychological introspection but thankfully it is kept to mostly one episode with a few other scatterings as the series progresses. No, what the show is really about is learning to overcome differences and make it better for the next generation. There is a vehement anti-military, anti-war streak in the ‘shades of grey’ morality and there’s a good reason for that, being head writer Shou Aikawa who would go onto do Neo Ranga and FullMetal Alchemist ‘03 and those share that similar moral trend. But it doesn’t come across as preachy, and that’s by giving the other side fair and equal treatment, something which not many anime accomplish successfully. The sci-fi elements, be it the Nadesico spaceship, the concept of space travel via the means of the Chulips and the effect of time dilation are very well-thought out. And then the movie happened, and well if you want my thoughts on it, see my review on that back in January 2013.

Of course, the story is without its visual presentation. However, like Silent Mobius which I talked about back in October, this show runs into the fact the show came at a rather awkward time.The production does show signs of digital techniques and CG intruding into a mostly solid and well-done hand-drawn cel animation. Fortunately, it isn’t so obvious here as it is in Silent Mobius. In fact, recently RightStuf released the series and movie remastered. I however have the old ADV 3-2 disc sets from back in the day. In part because I feel its best to see it as it was, even it is imperfect. The show director is Tatsuo Sato, who after this show, would go on to have a career mainly helming solid and entertaining or interesting sci-fi series (Stellvia, Lagrange, Bodacious Space Pirates). Also the opening song, You Get to Burning, is freaking awesome and is one of my favorite opening songs of all time. The rest of the music is done by Takayuki Hattori (Slayers and Gundam Origin OVA among others) and it’s amazing and really powerful full-on orchestral music. Its really good stuff.

Now for the english dub. It is solid if a little uneven, much like the show itself. Produced in 2000-01, its a dub of its time, that being the ADV Greenfield era. I say this as the first era of Houston english dubbing, from 1995 to roughly 2001-03 when Matt Greenfield was the main director/writer for ADV dubbing (Amanda Winn Lee and  Tristan MacAvery were also directors/writers as well, heck Steven Foster’s career goes back to this era). Of course, it is also a very transistional dub, featuring veteran 90s ADV talent like Spike Spencer, Tiffany Grant, John Swasey, Rob Mungle, Brett Weaver, Marcy Rae alongside newer talent like Kira Vincent-Davis, Jenny Strader, Jay Hickman (and Monica Rial in a small blink and you’ll miss it part). It takes a part of time to get good, but when it does it gets really great and ultimately makes the show all that more charming and fun.

It's kind of a bummer that this show has been largely forgotten and thrown aside. Despite the fact hasn't really aged all that well, its a very underrated gem from an era that is slowly fading into obscurity. Speaking of obscurity (or not).....

Til next time dear readers

Anime Review No. 89 (Another)

“Send the Dead back to Death”

Another

2012 TV Series

Studio: PA Works

Director: Tsutomu Mizushima

Script: Ryou Higaki

Ok, time for another Halloween review! This time, I am looking at something a bit similar to last year’s review, which was over Dusk Maiden of Amnesia, except a bit more darker and disturbing. The show in question, which will no doubt make you shat your own pants, its Another!

A new transfer student Koichi Sasakibara who moved from Tokyo to a small rural town named Yomiyama to live with his grandparents and his aunt. His father is off on travel constantly and dead mother. Everyone at school is quite nice and open towards him, but not so much to a particular student. Mei Misaki is a soft-spoken girl with raven hair and a eyepatch concealing a hidden power. All of a sudden, students in Class 3, same one Koichi and Mei are in, start to be killed off one by one in rather bizarre set of circumstances and situations. Now, Koichi and Mei have to work out the mystery behind Class 3 and why the deaths take place.

To boil Another down to its essentials, its a very effective horror mystery thriller. As such it is very dark atmospheric and moody. It takes quite a number of cues from other horror art pieces, from Munch’s The Scream to Psycho to heck Final Destination. To contrast to my last year’s Halloween review, Dusk Maiden of Amnesia had its moments of levity and hope to balance out the dark elements. Another, however doesn’t have any sort of refuge. It is a dreary show through and through or when its not dreary its rather dry and mundane. The visual presentation is decent if a little mundane at times.  

Death is a rather essential element to this show, and being a horror show it revels in the gruesome and disturbing. They are all varied in terms of setup, cause and execution, all of them unnerving and quite unsettling in one respect or other. Yet at the same time they are somewhat predictable and also laughably implausible instead of being shockingly disturbing which is what they were trying to do, somewhat akin to Final Destination. Granted some of the deaths are met with OMFG Jeezus reaction from me. There exists some brilliant misdirection and second guessing in part because most of the cast are unreliable and those that might, end up dying anyway. But hints are dropped here and there, at a natural pace, peeling back the layers of the mystery.

I like how Misaki and Koichi don’t end up as a couple, just friends then again somewhat understandable. The final reveal is something truly amazing once you stop and think about it. Granted this is accomplished by intentionally withholding some information from the audience right before the end. It is a great twist in that once revealed all the other pieces of the mystery fall into place.  

As a warning, Do not marathon this show, best to watch it in small bursts of 3-4 episodes at a time like I did twice upon getting this series. It allows one to sink in all that happens. Music is equally dark and moody, having been done by Ko Otani, of Shana, Gundam Wing and You’re Under Arrest fame. It is full of ambient and scary but subtle sounds. The OP and ED are quite fitting and good.

Another OP Another ED

Now this being a Sentai Filmworks, of course my favorite dub director Christopher Ayres helmed the dub for Another, and like many of his other dub efforts, its really good as usual. It is packed to the brim with Houston dub regulars: Greg Ayres, Monica Rial, Brittney Karbowski, Jessica Boone, Emily Neves, Chris Patton, Josh Grelle, Clint Bickham, Tiffany Grant, etc. At times it seems to be a ‘Ef series’ dub reunion of sorts, though really it is a testament to the steady stable of actors/actresses Sentai Filmworks has at their disposal. Of course, Greg Ayres and Monica Rial are indeed the standout performances for the dub. Though kudos are in order for the rest of the cast, a really great job by all involved. Christopher Ayres also wrote the dub script as well. His approach seems very transliteral (nearly dubtitles and including honorifics) with a few moments where the script deviate but only really in word choice and structure. Still, worth a listen as its one of the better dubs for Sentai Filmworks.

Overall, Another is a rather effective horror/mystery thriller with a lot of punch and drive that will creep into your subconscious forever. Another the anime is released by Sentai Filmworks, the original light novel and the manga adaptation written by Yukito Akatsuji is out by Yen Press.

Next review: Mardock Scramble III, to be posted November 9
Til Next time dear readers

Anime Review No. 88 (Silent Mobius)

Silent Mobius

1998 TV Series

Studio: Radix/Sotsu Eizo/TV Tokyo

Director: Hideki Tonokatsu

Script: Hiroyuki Kawasaki, Katsuhiko Takayama, Kenichi Kanemichi, Mayori Sekijima, Michitaka Kikuchi, Miyuki Yanari and Yoshima Narita

This review made possible by a Christmas gift last year from fellow AR writer and internet content creator Juude (Juude's twitter, His YT Channel)! Thank you dude!

So, yeah ever watched a show or movie from when you were young, only to revisit it years later? Oh I’m sure most of the Internet had done that from one time or another. I have done it before here on this blog as well. Well this time, I am looking at another anime show I watched back on the Anime Unleashed block on the now long defunct TechTV. This block I have mentioned in my reviews of ROD TV and Crest of the Stars before. The show in question this time is about Silent Mobius.

Silent Mobius is based on a manga by Kia Asamiya, well known for Nadesico and Steam Detectives. In 1998, it was picked up for an anime series that ran for 26 episodes, later getting onto American TV some time around 2005-06. Now I am aware there are some movies that were made prior to this but I have yet to see them and as such this review will cover the TV series only. So what’s the series about?

What a blood moon

Well, it is essentially the story of Katsumi Liqeur, a seemingly ordinary young woman living in Tokyo in the far future…..of 2024. It’s a future where some past catastrophe was nearly averted but someone else might be up to reenacting it with the aid of some otherworldly creatures named Lucifer Hawks. Katsumi is dragged into the battle as she is drafted to join the AMP, a special police division consisting of only females trained to deal with the monster menace and prevent the apocalypse. The AMP, led by one Rally Cheyenne, consists of computer expert Lebia, Dark skinned Amazon tomboy Kiddy. kind psychic Yuki and meek miko Nami.

What works in Silent Mobius’s favor in its story and characters. Granted, much of the show is similar to another show from the same era, Bubblegum Crisis 2040: Group of hot babes kicking ass in a futuristic cyberpunk setting against monsters set to destroy humanity. In addition, Silent Mobius examines the human condition and how despite all adversity we shall endure. Katsumi in particular goes through a most interesting arc as she is prompted into the AMP due to inquiry into her heritage and where that leads to is very fascinating. In the course, she does develop a relationship with Roy, a cop who goes from being her trainer to eventually her romantic partner. I have to say that the relationship dynamics in this show between characters are rather mature, ie the sort I would expect between adults for the most part.

Oh don't be so hard on yourself Nami, your focus episode was pretty weird and surreal

But as this is an ensemble piece, the other members of the AMP squad get their own focus episodes and minor storylines in the show. Some of it (like with Nami and Yuki) are rather surreal in nature, whereas the material around Kiddy and Lebia delves into the same thematic territory that Ghost in the Shell and Evangelion explained prior, but within a different context.The antagonists are mainly the Lucifer Hawks, which are basically these otherworldly beings of great power and strength. Of course, halfway through the show some big WHAM revelations pop up that very much shift the dynamic between the AMP and Lucifer Hawks.

These two screencaps were taken within a few seconds for each other-Spot the quality difference?

Such a pity that the visual presentation of the show is an uneven mess. Oh don’t get me wrong, the animation is consistent on a prime basis level. However, Silent Mobius suffers from something that many of its contemporaries suffered from: the digital/hand-drawn hybridization in the animation. What I mean by this is in the late 90s and early 00s anime studios would experiment with digital paint on cel animation and other digital techniques, CG included. Professor Otaku in his latest video on Queen Emeraldas (Prof Otaku's latest review) touches on this a bit more, but for Silent Mobius its a special issue. See, on a scene by scene basis, Silent Mobius will flip between hand-drawn cel animation on film and cel animation done digitally. Granted, at first it’s not too obvious but as the episodes progress it becomes rather apparent and ultimately very distracting. And you can tell because of how crisp and clearer the digital work is in comparison to the traditional animation. At times, the show seems like one that was made 5 years in the past and 5 years in the future. Also most of the CGI work especially in the later episodes is on the jarring side when placed in conjunction with the cel work.

Scene from one of last episodes

Silent Mobius OP

In terms of sound, the music for the show was done by Jimmie Haskell, Kenichi Sudo, Suzie Katayama and Takashi Furukawa. Its really good, a nice combination of techno cyberpunk music and somber orchestral pieces. The OP is really great. All of it except for one piece-this really cheesy piece of 90s engrish pop ballad which they use as the Second ED and I can’t help laugh when that track plays, its so corny.

The English dub was done by the good folks of Vancouver, back when they did quite a lot of work in anime dubbing. The dub cast list reads like a who’s who of Canadian anime voice actors (Marcy Goldberg, Kelly Sheridan, Lisa Ann Beley, Paul Dobson, Trevor Devall, etc.) Nicole Oliver does double duty of voicing Katsumi and Lum Cheng, a character that shows up in the second half, though she does a really good job at distinguishing between the two, not an easy task in a dub certainly. Of course, nowadays, she is more well known for voicing Princess Celestia in MLP FiM which is quite funny in retrospective. If I could, I would like to splice her MLP audio onto Silent Mobius clips. The dub is overall decent, with the main cast putting in some good performances but the rest is rather stilted or wooden.

The only scene with mizugi but dw its a team of some Grade A babes

Silent Mobius falls under that category ‘not as great as I remember, but now I can see something else great about that I like about it’. I mean when I watched as a teen I was enthralled by the action and the fact that at the time it was unlike anything I had seen before. Looking at it now as an adult and a more aware/mature viewer and fan, I can see that the show has not aged well, but it has a very compelling cast and story that’s rather mature than I initially gave the show credit prior. It’s a show worth checking out at least, if only as a historical piece of Japanese animation production.

Next time, its the Halloween Special review and an occasion to 'Plunge into the heart of horror'.......

Til' next time, dear readers.