Anime Review No. 98 (Maria Holic)

Maria Holic (Winter 2009) and Maria Holic Alive (Spring 2011)

Studio-Shaft

Directors-Akiyuki Shinbou (with Yukihiro Miyamoto and Tomokazu Tokoro)

Writers: Masahiro Yokotani and Miku Ooshima

Well, here we are, something that I am sure most people would not expect me to cover. I was not entirely sure that I would get around to covering this show, but circumstances brought it back to my attention and so here it is. This is Maria Holic.

Maria Holic the anime is based off a manga series written by Minari Endo between 2006 and 2014. It is about Kanako Miyamae, a new transfer student to a private all-girls school. She is secretly a closeted lesbian hoping to find her first true love and a bit of a misandrist, well more in that respect due to her condition where she breaks out in hives when men touch her. She gains a new roommate in Mariya Shidou a nice and gentle ojou-sama but turns out to be a male sadist who is forced to crossdress due to the wishes of his dead grandmother who was also a former headmistress of the school. Thus Kanako is blackmailed into keeping Mariya’s secret. In the process she ends up in a series of unfortunate but comical misadventures at school.

What I like about Maria Holic is how twisted the whole thing is. The whole breadth of creative decisions for this story are made in the opposite way that they would normally trend. Be it Kanako who is basically a girl with a male pervert mindset, Mariya the sadist disguised as the nice and kind ojou-sama and her maid Matsurika who turns out to be a deadpan snarker. The rest of the supporting cast are like that and all fit a basic stereotype (tomboy, megane babe, genki girl, etc) and then taking them to a rather unexpected places.

This is quite fitting as Maria Holic is a rather black comedy at its core. The humor is prevalently dark and its funny mainly due to that. Granted there are some laugh out loud hard moments, but most of the time the comedy is met with a nice dry chuckle from yours truly..There is the semblance of a story/plot but Maria Holic relies a lot on gags and sketch comedy segments. What story is there is an interesting parody. This is very related to my previous review, OtoBoku. Whereas that was a gentle soothing parody, Maria Holic is a bitterly tinged parody and a satire of not only yuri but school slice of life and otokonoko sub-genres as well. Of course, at times it openly embraces the conventions it is joking about. The second season is more of the same, except it seems to double down on everything from the first season and it is even more strange and ridiculous.

Maria Holic S2 clip

The animation production certainly helps this out in spades. If you can’t tell from the first episode alone, this is a pure Studio Shaft/Shinbou directed show. All his trademarks are here and in spades, and it is oddly fitting for such a surreal and dark satire show. This includes the various off-point references, use of text in scene, head tilt, art shift (this show has 3 main art styles). The 2 non-consecutive seasons came out during what I consider the peak of Studio Shaft/Shinbou productions (same era as the Zetsubou Sensei, Hidamari and Arakawa series). There are the seeds of other Shaft productions lashed in the people involved in the production of this series: Yukihiro Miyamoto, future co-director for Madoka and ED for Season 1 done by the future production designer for Madoka and the OP was done by the guy who helmed the Bakemonogatari series. The main thing to take away is that it suits the story and characters, supplementing it as opposed to recent Studio Shaft productions where those same tricks are employed only the story and characters aren’t as engaging-cough cough Monogatari, Sasami-san, Meh-kaku cough cough, but moving on.
S1 OP S2 OP2
S1 ED             S2 ED

Now, onto the english dub, which is a treat especially for those of us waiting for it. The series had its 2 seasons released by Sentai Filmworks (S1 in 2010, S2 in 2012) but sub-only bare-bones releases. But then in late 2013, they announced that they were doing dub re-releases of some of the shows they had done sub-only treatment earlier. I was a bit concerned but then the dub cast came out and I did a sigh of relief. I bought both seasons with the dub in early 2014 and it was worth it. Thankfully Christopher Ayres helms the dub and as usual he doesn’t disappoint. He assembles a great cast with some of his regulars sure but he topped it out with 2 great if not perfect casting choices: Jessica Calvello and Monica Rial. I feel that Jessica Calvello’s career doing more dubs again has its origin point with this dub. She is in true comedic form asa Kanako and I have to say this is her funniest performance since Excel Saga and I can’t imagine anyone else in that role now. Of course she is complemented by Monica Rial who plays Mariya and its the surprise in the dub, always fantastic. The rest of the cast is very spot-on if littered with Ayres’ regulars (Carli Mosier, Brittney Karbowski, Meg McDonald, Shannon Emerick, etc). Another honorable mention has to go to George Manley who does the narration (old ADV fans might know him as the narrator for the ADV redub of Gatchaman a decade prior). The dub script, written by Clint Bickham (who plays a minor role in S2), is nicely done adding in some stuff to punch the already comedic material. Overall a great dub that is highly recommended by yours truly.

Overall, Maria Holic is an interesting high concept comedy show that excels in being fun and entertaining. Granted the flavor of comedy might not suit everyone’s taste but that’s ok. I like it quite a lot and its certainly up there on my list of funniest anime I have ever seen.

So that closes out March 2015 aka Guilty Pleasures Month 2.0. Will I do another series of review like this? Hmm maybe next year, but it will be under a different title for sure. April 2015 marks the release of my 99th and 100th reviews. I am keeping the subject of those 2 reviews a secret but in due time you will all find out. Review No. 99 due out on April 12th.

Til next time dear readers…..

Anime Review No. 97 (OtoBoku)

OtoBoku: The Maidens are Falling for Me! (2006 TV Series)

Studio-feel.

Director-Munenori Nawa

Writer: Katsumi Hasegawa, Masaharu Amiya, Masashi Suzuki and Tomoyoshi Nagai

Some guilty pleasures are so due to just trashy and full of fanservice. Agent Aika from last time is like that. Yet others are so due to being far out and weird/surreal they are and that you are surprised that anyone would like this, much less give it the time of day. The other 2 entries this month are like that. Let’s talk about OtoBoku.

It is an original story by Caramel Box, based on an eroge visual novel that came out in 2005. The anime adaptation came out about a year after that as OtoBoku came out at a time when visual novel adaptations were king (the Key VN adaptations). The story is a simple setup. Mizuho is a young man who gets roped into going to an all girls school by his grandfather’s last will. Lucky for him he is so androgynous that a simple makeover by confidant/childhood friend Mariya and bears a resemblance to his late mother. With only his teacher knows and headmaster knowing who he really is, he strives to do the best he can at the new situation he has gotten into. He meets various other girls at the school, be it the redhead tsundere Kaichou and her Vice Prez megane babe Kimie-san, the mysterious dark haired beauty Shion and 2 kouhai, the genki Yukari and the cutie Kana among others.

Yesh thats a boy (FFWL i guess xD)

Essentially OtoBoku is a rather gentle, soothing and laidback slice of life school story but with a gender bender twist. Yes this is a sub genre of anime called Otokonoko which is basically pretty pretty boys ending up in situations where they must dress up as girls for some reason or other. Yeah a very high concept idea I know. Of course Mizuho takes it in stride and use the opportunity to become a better person and improve the lives of the other students as best as he can. There are also elements of yuri anime as well here, like the senpai-kouhai pairing and emphasis on female on female relationships as per Strawberry Panic. At times certain elements of the show downright copy Strawberry Panic, not surprising considering this came out right after Strawberry Panic-Elder election is pretty much a ripoff of the Etolie plot line from Strawberry Panic except not as drawn out.

It-its not because I like you or anything gosh -blush-

In fact OtoBoku starts out a bit like Strawberry Panic in that it does little story arcs for the first half with Mizuho coming into his own given his weird situation and real light and fluff. Whether it’s dealing with the rivalry between Takako and Mariya, winning over the student body by becoming Elder or helping Ichiko, a ghost girl, come to terms with her untimely death. Then episode 6 brings in a more coherent storyline that extends to the end, giving the show more a dramatic and serious edge. Granted its more situational stories but there is more cohesion between the episodes. An interesting love triangle develops between Mizuho, Takako (Kaichou-san) and Mariya, though it is mostly due to misunderstanding and lack of proper communication. Yet, the Takako route is the prominent one in the anime series which reveals the the VN origin of this show but I find it works very well. Takako, next to Mizuho, is my favorite character of the show. That comes to mainly how well she is written, though she does start off as a tsundere and rigid authority figure but as the show goes on she softens up to and develop feelings for Mizuho. I feel that the series has a predictable yet satisfactory conclusion. There is an episode 13 that is just a silly chibifest rendition of Cinderella that is really hilarious and full of laughs.

We are soooo blitzed right now xD

Animation is mostly solid if a little unimpressive. Like Strawberry Panic, it has a look not too different from the source material it is based on and goes its intended job without derping or excelling at it. It does have an unique chibi design which I termed ‘fugly chibi’ which whenever it shifts from the more straightforward character design art to this I burst out laughing but given that this was intended for the more LOL moments that is to be expected. The music feels like leftovers from Ouran and the voice acting (in japanese, no dub) is rather solid if predictable in terms of casting and performance, except for one. Mizuho is voiced by renowned seiyuu Yui Horie who isn’t quite adept at sounding more like a boy then as a very girly girl at times. As I mentioned, this is was released by Media Blasters around the same time as Strawberry Panic when they just churn bare-bones releases without a dub. Its so bad in fact that the edition I have contain discs with no artwork on the discs themselves.

Now there is Futari no Elder, a 3 episode OVA made in 2012 with a different director and studio, based on a spinoff manga of the original story. It is a somewhat more somber and serious story granted and has a slightly similar initial incident to OtoBoku but feels enough like a natural sequel and separate story and not a mere copy/paste job of the original series. It is also a nice, short and self-contained story which proves to be a bit more emotionally resonant with me at least then the TV series. It also looks a bit better than the 2006 series, naturally. It gets a recommendation from yours truly though good luck finding it as this hasn’t gotten an official release and I doubt it will but hey a guy can dream.

OtoBoku ED aka Totally Pants xD

So yeah Otoboku is a guilty pleasure that fortunately has enough charm and amusement to it to be somewhat enjoyable, even given the weird and off-putting premise. Next time, won’t be such the case.

Til next time dear readers

Anime Review No. 96 (Agent Aika)

Agent Aika (1997 OVA, 7 episodes)

Studio Fantasia

Director: Katsuhiko Nishijima

Writers: Katsuhiko Nishijima, Kenichi Kanemaki, Katsumi Terahigashi and Noriyasu Yamauchi

Ok, so Guilty Pleasures Month 2.0 kicks off with an infamous classic of the vaulted halls of ‘90s schlocky anime, Agent Aika. Or as I would like to call it, Crotch Shot the Anime. This brilliant ‘masterpiece’ is from the mind of Katsuhito Nishijima, who is also behind Najica Blitz Tactics, Kirameki Project, Labyrinth of Flames and oddly enough Project A-Ko. Also, the lack of screenshots in this review is due to the fact that no one wants 6-12 pictures of nothing but crotch shots because who really wants that? Yeah that’s what I thought. Also spoilers because I don’t care.

Anyway, Agent Aika takes place in the far future where Earth turned into WaterWorld basically. The world is mostly underwater with small pockets of land here and there. Underwater salvaging is a prime business. Aika is one such salvager, working for some guy named ‘Boss’ and his annoying daughter Rion. She is hot 90s anime babe who is both hot, attractive and can kick ass by using a special underwear that turns her into a dark skin Amazon that can kick more ass. Anyway, Aika and Rion run afoul of a madman villain Dr. Hargen and his legion of miniskirt hottie minions and a plan involving wiping out mankind with a super weapon or something like that.

One of the big problems with Agent Aika is that there is not really much to it, not even enough for a redemptive reading. There are two stories if you can call them that: episodes 1-4 and then episodes 5-7. The first four episodes feel like their own self-contained story while the last 3 episodes feel more like a series of loosely connected one-off stories as some sort of follow up to the main story from the first four. This is seriously just plots constructed by action pieces, some pseudo-science BS and background sets glued together by fanservice and some rather troubling and bizarre content. Like did the incest really have to be here?, for instance. Like Amazing Nurse Nanako, there are a few interesting, even good ideas (a waterlogged future) but the people behind the production aren’t interested in that, but in the fanservice. However, the fanservice in Aika is so pervasive to the point where it becomes dull and tedious. I would have done a drinking game with how many fecking crotch shots the director inserts into every single fecking scene, but I would wound up in a coma. Add to that Nishijima’s tendency to linger on every crotch shot FAR longer than need be, and the show becomes so ludicrous its funny. It is also so bad its good quality in the visual presentation. Plenty of corners cut in the production just so the ‘money shots’ are extremely well-done. The OP, ED and the BG music is so 90s it hurts.

Finally, the English dub is not very good but that’s par for the course when it comes to US Manga Corps dubs for the most part. Angora Deb, who plays Aika, is the only one manages to do a consistent job in the dub and I feel that even in the bad/mediocre stuff she starred in, she does a better job than required which should be commended. However, the rest of the cast is wildly inconsistent-ranging from ok/decent to downright cringingly terrible. At times the dub manages a very OTT style with one scene in episode 3 pretty much is so terribad I couldn't help but laugh at the incompetence on display with this dub.

So yeah not really worth your time, not even for the fanservice. Which makes the second part of this review that more inexplicable…..

Aika R-16 Virgin Mission (2007 OVA, 3 episodes)

Studio Fantasia

Director: Katsuhiko Nishijima

Writer: Kenichi Kanemaki

So yeah, this exists. It is a prequel in ‘celebration’ of the original OVA’s 10th anniversary, because that seems like a good idea. I will give it this, it is a nice look into Aika as a teenage girl and salvager in training. So she apparently joins an Adventure Club run by rich girl Eri Shingai and meets a mysterious quiet cutie Karen with a butterfly on her bosom. Anyway, they go on cruise to a treasure spot for some reason that actually has a (stupid) point. But their advisor (hottie Ms Risako) turns out to be EVIL (what a twist) and has some plot involving Karen. The treasure spot site is a site tied to Karen’s past and then it gets WTF weird, even more WTF weird than the original.  

There are still a lot of crotch shots and fanservice. except its more amusing and hilarious here than in the original OVA. Luckily there is some sort of a story that is going on that actually incorporates the fanservice a bit better. Granted much of the story still is riddled with cliches and contrivances but it is there rather than not as is the case with the original OVA. It also has an awkward habit of reincorporating character elements/details that appear in the original OVA.

The production values look a lot more slick and digital, i’ll give it that. Of course the true mark of quality comes when the ED contains footage of the episode itself, yes really. Granted the whole OVA feels like a sad artifact of the 90s just looks a bit better in the visual department slightly. It is full of the same shortcuts (speed lines, obvious CG, etc) just so the Nishijima-san can focus on the ‘money shots’.

Now the English Dub is slightly better than the CPM dub for the original OVA but that’s not saying much. Its a 2008 Sam Regal-helmed Bang Zoom dub probably made on the cheap considering the quick turnaround between the initial airing of the OVA episodes in Japan and its subsequent Eng dub release and how small the cast is. Main stars include early-career Cristina Vee and Kira ‘Rina-chan’ Buckland among some other regulars of the LA scene at the time. The dub can be best described as competent, decently casted and acted but rather dull and procedural, which can best sum my feelings on modern day LA/California dubs anyway.

There is another prequel, Aika Zero, that came out in 2009 which is a mid-quel of sorts but since its not out officially I won’t talk about it. I imagine Bandai (who re-released the first OVA and then dubbed/released the prequel OVA) and hoped that it would make money so then they could then release the Aika Zero OVA here in the States. But that didn’t happen, and since Bandai is no longer in the game, I highly doubt this will get a Western release.

And what of Nishijima-san? Well he recently worked on an OVA titled Nozoki Ana, which someone on my Twitter feed was watching a few days back. Based on the screenshots it seems he is still up to his usual shtick. I suppose some old dogs can't learn new tricks. Though he has shown up working on another shows, notably as a key animator on an early episode of Kill la Kill, which is a quite interesting tie-back to the era of anime Nishijima-san was a part of.

So yeah this isn’t so much a guilty pleasure, because I don’t feel pleasure from watching it. If I want to watch something with just crotch shots, I’d just watch hentai or porn. I do feel a bit guilty in buying both of these though at a slight discount granted so I didn’t waste much money on this. Is the Aika series one of the worst? No, I have watched far worse anime that actually insult my intelligence. All that the Aika OVAs do is irk my sensibilities but only that as its not that deep or self-aware enough to read any further into it. Then again, that irking/shaking of sensibilities is what anime partly appeals to people I suppose.

Luckily, the other 2 entries this month are actual guilty pleasures and I will have more to talk about with those. Til next time dear readers.

Anime Review No. 95 (Strawberry Panic)

“Lesbians!, Lesbians! ~”

Strawberry Panic (2006 TV Series)

Studio: Madhouse

Director: Masayuki Sakoi

Writers: Kazuyuki Fudeyasu, Hideo Takayashiki and Tatsuhiko Urahata

Well February 2015 closes out with a personal favorite of mine, a seminal classic in a sub-genre that if you haven’t paying attention, I really love. The show in question is Strawberry Panic, also slight spoilers.

Strawberry Panic is the story of a new transfer student Nagisa Aoi as she comes to Astraea Hill, the site for 3 interconnected all-girls vaguely Christian schools: Le Rim, Spica and Miator. On her first day, she meets her interesting roommate Tamao Suzumi and the mysterious Etoile-sama, Shizuma who holds some deep and dark secrets. Together, Nagisa does the typical adventures at school-making friends and hanging out with them, and also lesbian relationships.

That is the very much the landmark of a yuri series, a focus on lesbian relationships or relationships between women with lesbian subtext. In Strawberry Panic, at least in the TV series, its the former where there are 2 main plots that are all about relationship dynamics. Shizuma and Aoi is the main (A) plot with Hikari and Amane being secondary (B) plot. Plot A is mainly internal conflict fueled by indecision and inner turmoil on the parts of Shizuma and Aoi. Plot B has more external conflict preventing Amane and Hikari getting together, with Kaname and Momomi (2 senpais who very obviously lesbians) serving as rough antagonists though they act more like cartoon villains in much of what they do in the course of the show. Plot A I find is the more compelling, especially when Shizuma’s backstory is revealed and we understand her a bit more and why she acts the way she does. Granted it does get a bit overdramatic and leans into melodrama/soap opera at times but it is still one of the strong elements in the show.

Goodness, Yaya you are way too good for Plot B's story

Plot B is the weak link of the show, mostly because I can’t really care about Hikari and Amane. Hikari is such a wallflower and Amane is an oblivious bifauxnen. The only interesting aspects of this plot is Yaya you do manage to feel something for because to see how much stuff she goes through in the series and a shame she doesn’t really get anyway by series’ end. Oh well, that’s what fanfiction is for. There is a rather valedictorian feel to the final episodes and the show ends on a satisfactory if a bit telegraphed conclusion.

Granted there are other characters, like Chikaru (student council president of the Le Rim school) and her band of classmates (megane Remon, genki Kizuna and the quiet cutie Kagome with her teddy bear Percival) who provide a lot of the levity to the more sombering drama of the main story. There are side adventure episodes, based on rather cliche situations, peppered throughout the series which do come across as filler at points, but are still enjoyable. Well these episodic plots are a just a bit fresher when the show came out in 2006.

Now, Strawberry Panic is one of the more definitive entries in the genre. In fact it is the show that got me interested in the yuri genre, and thus held in high regard by many yuri fans as their first exposure to the genre. It solidifies a lot of the tropes for the genre presently: The senpai-kouhai pairing and the complex relationship dynamics. There is the main theme like the notion of lesbian love: Forbidden, unconditional, unrequited and lost forever, tied to Shizuma’s past for instance. There is also the fleeting nature of youth and innocence and the regret and sadness that follows that, all of this couched in a cute and soothing slice of life atmosphere and environment, adding in tropes and notions from slice of life and high school stories. It is a tad romanticized, that hey that’s the nature of fiction.

Lesbian cuties hanging out.....and such xD

Strawberry Panic is a nice jack of all trades show. What I mean by that is that it is really good at balancing light-hearted comedy, soothing slice of life and serious drama but doesn’t quite excel at any of them, though it certainly tries. Focus episodes on side/supporting characters like the previously mentioned Chikaru and the Le Rim girls are a highlight for me (episodes 6 and 8 especially).

Chikaru you are best girl ^_^

Now the visual presentation is well-done, but not exactly the best work by Madhouse. It has a real somber and subdued look, with a light and pastel color palette. It derps and dips a bit, but thats nearly expected for a show that’s nearly a decade old. The orchestral music is warm and neo-classical in a chamber music style with woodwinds, strings, light brass and piano music abound. It does remind me a bit of the contemporarous Ouran’s equally flowery and melodramatic OST. The OP and ED songs are pleasant enough.

OP1 OP2 ED1 ED2

Now, this show was released sub only a few times by Media Blasters (singles in 2008, with complete set releases in 2009 and 2012)  just following the economic crash in the States. In fact, it was one of the first series that got this and set a precedence for sub-only releases that we in the States get in recent years. Fact is that dubbing became too costly for every anime acquired and just releasing with subtitles and a bare-bones release is cheaper and you got a better shot at getting your money back. The japanese language track is good and worth a listen, though a lot of the acting is archetypal and typical of how those tracks are done. One of the reason why I don’t usually talk about Japanese language tracks is because as an English speaking fan, I can’t really judge fairly the performance standards of japanese voice acting.

Cute yuri kiss scene ^_^

Overall Strawberry Panic is very good. It is a great exploration of blossoming romance between young women and an examination of an anime genre that recently has gotten some resurgence which I find very pleasing. Granted, its a bloated towards the middle as the story and plots drag in the middle third and does indulge in the melodrama a bit too much, but still worth a look at. And well, the moral of yuri is that indeed, girls can love girls.

Now for Something Completely Related xD

Next month’s reviews will be in a post tomorrow- ‘Til next time dear readers.

Anime Review No. 87 (Dead Leaves)

‘I kinda hate myself for liking this’

Dead Leaves

2004 OVA

Studio: Production IG, Director: Hiroyuki Imaishi, Script: Takeichi Honda and Imai Toonz

Well then, its time for a blast from the recent past. Yeah only a decade has past since this OVA has come out, but 'recent past' still counts. Also, its the debut as director for Hiroyuki Imaishi. So yes Dead Leaves it is.

Umm yeah it is about a duo of anti-heroes of sorts and their wild adventure in the far off future. They are Pandy, a buxom babe and Retro, a dude with a TV for a head. The movie starts up stranded on a wasteland both with memory loss, and very much in the nude. They team up for a bank robbery which leads to a rather disjointed manic car chase action sequence.They are however caught by the police and sent to a prison on the moon, which is a disfigured crescent in the sky. This in turn leads to the most glorious sex scene ever in anime outside of a hentai though our duo escape along with some other prisoners, leading to more shenanigans. I won’t spoil any further as this has to be seen to be believed.

Dead Leaves is a weird and surreal mess. me trying to recount the plot much less the story is hard to do even after watching it half a dozen times over the course of many years like I have. I was constantly screaming WTF and laughing my butt off often at the same time.

In many ways, Dead Leaves is a perfect display of Imaishi style even for a debut feature. Be it the fast kinetic direction and pacing or elaborate storyboarding. But this stuff is at the expense of sense or logic, its animated insanity. Of course this is looking at it as a standalone work, isolated from a historical perspective. Looking at it from a historical career sense, Dead Leaves becomes a step in the evolution of one animator’s style over time.

Imaishi started out as an animator on Evangelion back in 1995. He continued with work on other Gainax series in late 90s/early 00s (notably episode 19 of Kare Kano, FLCL episode 5, and Magical Shopping Arcade Abenobashi episodes 3 and 12). Then he did this as his first outing as a director and it certainly feels an effort from a first timer, a good effort if a little uneven in parts and places. After that, he directed Gurren Lagann and later Panty and Stocking with Garterbelt. In fact, PSG feels like a more refined version of Dead Leaves, which both in turn are lovely tributes to the schlocky era of bloody violent and vulgar OVAs from the late 80s/early 90s. Heck Kill la Kill, his most current TV show and 2nd collaboration with Kazuki Nakashima, this OVA gets a nice mention (by that I mean ‘spot or you’ll miss it’) in the very first episode of that series.

Also the release history of this OVA is rather interesting. The original Japanese release dates to January 2004. It got a release here in the States on DVD and UMD (remember those? yeah me neither) within the next year by Manga Entertainment. It also got a TV broadcast on Sci-Fi Channel Ani-Monday block in Jan 2008 which is probably one of the early times that I watched it. The dub was done by Gaijin Productions, the ADR company Amanda Winn Lee and her husband formed after leaving ADV and moving from Texas to LA. They have done only 4 dubs: this, the Read or Die OVA (arguably the best out of the bunch in my humble opinion), and Evangelion Rebirth and End of Eva movies. Granted Amanda Winn Lee is still somewhat in the voice acting business, recently showing last year in the Persona 4 The Animation dub. The dub is OK and rather apt for such a cartoony and insane short movie, in a way harking back to the early ADV Films catalog of dubs that the Amanda Winn Lee was very much involved in. Although the only actors notable here are Amanda Winn Lee and her husband Jason C Lee playing the main duo but that’s about it.

I’ll end this review by saying yeah Dead Leaves is a wild crazy but fun movie. Lucky for you all, Manga Entertainment has the whole thing up on Youtube so you can see and watch it for yourself and decide on your own.

Next time, well its time for an actual blast from my past.....

Later, my dear readers.

Anime Review No. 81 (Summer Wars)

“You Gotta Work for an Answer”

Summer Wars

2009 movie

Studio-Madhouse, Director-Mamoru Hosoda, Writer-Satoko Okudera

Well, time for another movie review and this time I figured it’d be something popular. If you watched Toonami last December, they air a few movies, including Akira (which I saw fully for the first time) and Trigun: Badlands Rumble. Of course, the one that caught my attention was, well, Summer Wars.

The story is focused on our main character, Kenji Kosio, a typical nerdy high school guy who works for Oz as a part-time coder. Oz is well like a VR cyberspace hub where communications, government He gets roped in by a older female student Natsuki to come with her to a family reunion event (her grandmother’s birthday) as her pretend boyfriend. So, basically, the initial premise reeks of a plot from a family rom-com. He meets several family members, including the tenacious grandmother Sakae Jinnouchi, jealous cousin Shota, the shut-in cousin Kazuma and various others mostly fitting typical Japanese family types.

Sakae is best granny 

However, trouble comes round in the form of Wabisuke, the black sheep of the family. Natsuki is a little too friendly with her uncle, which is irksome a bit, but doesn’t detract from the movie that much. However, Kenji gets a code that he works out but that ends up causing havoc to erupt in the Oz system with him framed as the mastermind. But the actual culprit is the Love Machine, very much a rogue computer program. So, now Kenji is facing a double dilemma as he must try to clear his name along with saving Oz and avoid getting outed as a fake by Natsuki’s family.

Now, there is quite a lot to like about this movie, starting with the characters. Very standard for anime, but given enough dimension to make us care about them. Kenji and Natsuki are the typical young protagonists and a lot of the family seems like the kind of people one would find in family dramas. Though I will note a few here. Wabisuke might at first be the black sheep who shows up unexpected but he ends up playing quite a larger part in the story. But, the one character I got to admire is the grandmother Sakae. She’s a tenacious but strong-willed older lady and perhaps one of my favorite elderly characters in anime. She’s the one who brings everyone to deal with the problems faced and strive to succeed. But what happens to the grandmother (not spoiling it) is perhaps the emotional high moment for the movie. It unites the family to the common cause. I watched Summer Wars with a friend of mine one time, who had lost his dad recently and got to say he was nearly in tears at that as I was. I too have lost some relatives as well and so it does get to me on a personal level.  

And so the dominoes fall...

Now, I won’t harp on the story too much since well its basically what happened if you took the internet battle sequence from the Digimon movie, and combine into a animated family J-drama. No surprise on the similarities since the Digimon Movie and this one are directed by the same guy, Mamoru Hosoda. Except its more substantive and integral to the movie. It has also some neat commentary on how the interconnectivity of the world via web and internet is a double edged sword, in that it can bring us together quicker in times of crisis or relaxation but also can be used to inflict misery to a lot of people as the movie attests. It also touches on the importance of family in the modern era  I wish that they did more with that, but considering the time length I am glad that these ideas were brought in and used. That, and the finale is pure spectacle which while pretty to look at however its rather inexplicable at points even 'deus ex machinia'.

Excellently executed fight scenes I must say

Now then the animation, which is stellar across the board. It’s fluid, dynamic and full of life and energy. Being a movie its got naturally high production values as expected. Not as high as Ghibli film, but close enough in terms of overall quality. If the character designs might seem a bit 90s Gainax, that due to Yoshiyuki Sadamoto (character design work for Nadia, Evangelion, FLCL, Gunbuster/Diebuster, etc) handled that.There is also a wide range and variety of facial expressions; in fact, the movie is worth watching just for that. Music is utterly fantastic, again very Ghibli-esque. Almost like this movie’s trying to ape Ghibli….. oh wait, heh, that’s for another time….moving on then.

DAT FACE haha >.<

Now, the original japanese language track has been best described by a colleague of mine as ‘a bunch of J-drama actors doing J-drama acting’ so I whole-heartily recommend the dub That’s not hard, since its a Funimation dub, so its top-notch effort here as usual. Mike McFarland and Patrick Seitz handled the direction and writing for the dub and they are a great team. They help to bring out strong and well-acted performances from just everybody involved. Summer Wars boast a veritable list of who-whos of Funi dub actors with a few Houston actors thrown in for the bit parts. Special mention goes to Michael Sinterniklaas as Kenji, Brina Palencia as Natsuki who are very good in the main roles. J Michael Tatum is at his best arguably with Wabisuke, pouring in his own snideness and charm into the part. But Pam Dougherty as Grandma Sakae is overall best and just about steals the entire movie well while her character is in the movie.

Overall, Summer Wars is a good ‘popcorn movie’; great for a watch with friends and a bunch of good fun. There are some flashes of brilliance with a few of the ideas it plays around with, but still a good time to be had.